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They mixed such sentimental ballads as Kenny Sargent crooning ‘I Love You Truly,’ which brought squeals of delight from the female contingent in the crowd, to ending the set with a rousing ‘killer diller’ such as ‘Maniac’s Ball.’ When the program ended, we all filed out of the Steel Pier convinced that ‘Casa Loma Stomp’ had become the collegiate national anthem!”įuture Casa Loma clarinetist Clarence Hutchenrider first heard the ensemble in its nascent form around 1929. the band programmed each set with versatility. He recalled his first impression of Casa Loma in 1933 (Sudhalter, Lost Chords): both crisp and precise” wrote contemporary observer George Piersol who became the band historian. Casa Loma Orchestra performed on the first network radio broadcast of the foremost Swing music program, Camel Caravan in December 1933, sustaining until June 1936, shaping the newly emerging sounds and techniques that would define Popular music for decades. It was a prolific source of original music, particularly from the deft pen of Gene Gifford who wrote their early hits. They flourished despite the rough and tumble of touring, bad roads, blizzards and a bizarre incident in which the entire band was arrested in Kentucky on suspicion of bank robbery.ĭominating the dance band field for the first half of the 1930s, it was the topic of heated debates in the popular music press, Down Beat and Metronome magazines. Its brilliant style and extraordinary esprit de corps solidified in the worst days of the Great Depression in 1931-33 during 101 consecutive weeks of one-night stands. no other band of the day, whatever race, could rival it for popularity, precision and team spirit, or for the ability to bring dancers to the floor.” In his landmark book, Lost Chords: White Musicians and their Contribution to Jazz, 1915-1945 (Oxford, 1999), noted jazz writer, researcher and musician Richard Sudhalter (1938-2008) concludes that: “ No band of those years was more frequently discussed, more widely admired or emulated. To the far right are Glen Gray (alto sax) and arranger Gene Gifford (banjo). Towards the center are trombone players Pee Wee Hunt, Billy Rauch and premier soloist, clarinet player Clarence Hutchenrider.
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Coleman Hawkins’ biographer John Chilton said that Hawk gave it serious attention, calling Casa Loma “ my favorite band.” Yet it was popular with mainstream audiences for sweet and romantic music and toured coast-to-coast appearing dressed elegantly in tuxedos.ĬASA LOMA Clip 1 – Introducing Casa Loma, Swing Low, Maniacs Ball, Limehouse Blues Early days at the Steel Pier, Atlantic City, New Jersey, September 1931. It was unusual for being an orchestra of white musicians who successfully competed with the black Jazz orchestras of Harlem for sheer drive and heat. Before the rise of Benny Goodman, it was the premier Swing orchestra playing hot jazz, sweet tunes, riff-based head arrangements and fully written scores.Ĭasa Loma waxed more than 450 sides, cutting records for OKeh, Brunswick, Victor and Decca Record Companies or their subsidiaries and international affiliates.
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Feared by its competitors, it was a rich source of original tunes and reported to be one of the most danceable orchestras of all time. Lights-out management gives business leaders another option for deploying resources.At the outset of the Swing era, Casa Loma Orchestra set the highest standards for superb musicianship, arranging, presentation, sweet ballads and hard-driving dance rhythms. A number of companies have developed dedicated server and hardware rooms with specific cooling solutions, to keep hardware at an optimal temperature and atmosphere.
#Loms band plus
Lights-out management addresses the "humans plus hardware" problem - the issue of the resources that humans need to work with vs. System administrators, for example, may plug a rollover cable into a dedicated LOM port in the server to connect it to the remote management system. Having servers in this environment saves on energy and can also save on cooling costs.Īlthough some hardware pieces like computers may need a management card, many servers provide built-in remote management that makes LOM easier.
#Loms band install
In LOM, workers may install a room full of servers and then lock them in that room in the dark. Lights-out management is a form of out-of-band management that involves managing network devices from a distance. Techopedia Explains Lights-Out Management (LOM)